Well, basically the problem is that our band is not called “EMPTY.”
Admission of guilt:
When we were shooting these photos Riki straight-up asked “are you sure you want that EMPTY sign right in the middle of the picture?” and I said “yeah, it will be fine. It will be cool.” I was definitely wrong.
We weren’t sure what to do about this at first but then we had this idea to make an art project out of it!
Here’s how it works:
1. Download the Easy-To-Print 8.5″ x 11″ jpeg HERE
2. Print it out in color on 8.5″ x 11″ paper, preferably thick paper or card stock. (I printed mine at Office Depot and it cost less than a dollar).
3. Draw, Paint or Collage on it however you want!
4. Mail it to this address:
Paint the Empty
150A Laguna St.
San Francisco, CA 94102
5. Please include a note with your name and email so we can thank you!
Prizes
1. If you get your piece to us by March 4th, it will be displayed at the Art of Peacocks / Pink Monsters art show at The Space Gallery in San Francisco on Friday, March 5th:
Fri. 3/5
San Fransisco
Art Show and Listening Party
@ Space Gallery 1141 Polk between sutter and post
Presented by The Emerging Artist Collective.
8pm – Midnight / 21+ / FREE
2. We’ll scan and post all of our favorite pieces here on the blog.
3. We’ll make one of these paintings into our new press photo and then there’s a chance that your art will be printed in newspaper or magazines. If you want us to use your piece for this, you need to cover up the “EMPTY” and leave all of the band members visible.
That’s it! I’m excited to see what you come up with!
About a year and a half ago I was walking around in the the toys isle of Walgreen’s when all of a sudden this awesome idea popped into my head: Violin Hero music video! I wasn’t sure how to do it but I really wanted to make this video. It would need green screen and animation and those are two things that I knew absolutely nothing about, so I started looking around for directors. I have a lot of friends who make films because I have worked for them as a composer. I talked to a handful of people who seemed interested, but then I found Zzalgern0n (as far as I can tell that actually IS his name – one name, like “McLovin.”)
Not only is Zzalgern0n an awesome, hi-energy, internet-savvy director, experienced with both green screen and animations; he has also beat Guitar Hero on Expert! It was clear that this was the man for the job:
Pre-production
There was quite a bit of pre-production on this project. Comic-book artist Brandon Redenius designed a Violin Hero logo and box. Zzalgern0n made a disc. My girlfriend Laura Weinbach from Foxtails Brigade made illustrations for the start screen and song-select screen. For the song-select screen we also consulted with musicologist Baker Peeples to come up with a list of the most shredding violin songs of all time in ascending order of difficulty.
Trisha Gum, who made the clay sculptures for Dark Opus now works making miniature sets for stop-motion tv shows on cartoon network. She built a miniature set for this video out of mostly cardboard and paper:
Production
Zzalgern0n wrote a very ambitious treatment for this video which included locations like Egypt, Japan and Hell. Obviously it was out of our budget to film on location, so we had to do what we could with the magic of special effects. On the first day of filming we built a sweet makeshift green screen in Lewis’ old bedroom at our parents’ house, where we filmed some violin students (thanks Keith and Sierra!) After that we went over to a couple of our aunts’ houses and filmed our cousins there. Lewis and I have 25 cousins of all different ages on our mom’s side (I am the oldest), and we have been making movies with them since we were little kids. It was awesome to carry on that tradition in this video!
For the band footage we went to LA, where Zzalgern0n’s friend donated the use of a real green screen studio. It was super fancy with all kinds of different lighting tools. I couldn’t believe that we got to use that place…. so awesome! Rebecca Fierro did costumes and makeup:
After that, Zzalger0n wrapped up the rest of the filming on his own in LA. He got a ton of awesome people to be in the video. Watch for hilarious cameos from:
Paul Rust (I Love You Beth Cooper)
Matt Braunger
Josh Fadem (30 Rock)
Josh Perry (Retarded Policeman)
BJ Averell (winner of The Amazing Race)
Matt Cornell (Extreme Elvis)
Post Production
This is where the real fun began. Zzalgern0n had literally hours of footage to condense into a 3-minute video. This was truly a monstrous task, but he did it! The final step was animation. For this we turned to Mike Mayfield (The Cleveland Show). To help him out, I did a colored transcription of the Cobra Strike cello part:
see how that works?
________________________
Monday!
We premiered the video last weekend in LA and the response was off the Richter Scale! It’s going up on YouTube on Monday, February 1st and when that happens we need all of your help posting it everywhere! Here are some tips for posting:
-Post the link on Twitter and (if you’re into this kind of thing) call it #ViolinHero
- Email a link around your office or school or any kind of club you are in
Forums and Blogs:
If you have a blog or you post regularly on a forum, post a link there. If you really want to help us out, you could even sign up for some new forums and post there. These are the kind of sites that would be good:
-Band forums: metal bands, experimental bands, indie rock bands, classical composers anything!
-Music Blogs: again, any genre
-Sites that Post Amusing Videos: Digg, VideoSift, Fark, BestofYouTube etc
-Video Game Forums and Blogs: after all, this is a guitar hero spoof
-Comedy Forums and Blogs: We have so many awesome comedian cameos in this. Comedy fans will be interested.
-Any Other Topic You Can Think Of!
We worked on this video and we would love for as many people to see it as possible. With your help, we will make that happen. Thank you!
Our new record is coming out Tuesday, April 13th on itunes, Rhapsody, and every other possible digital music service that we can think of. It will also be coming out as a very special Collectors Book / CD, which will be available at our shows. We are extremely proud of the record and very excited to share it with you guys. It’s called Peacocks / Pink Monsters.
We’re releasing it 100% independently, which means we’re counting on all of you guys; our friends and our fans to help spread the word! There are a bunch of cool things that doing to prepare for the release:
Posting Day! First Single and Music Video!
On February 1st, we are releasing the first single from the record entitled “Cobra Strike” as a digital download and YouTube music video. The video is AWESOME. I think it might be one of the coolest things we’ve ever done and I think people are really going to like it, and really like the song.
HERE’S WHAT WE NEED FROM YOU:
On the day that the video comes out we need everyone to POST THE SHIT OUT OF IT! Post it on your Facebook feed! Post it on your Twitter! Post it to everyone in your office and everyone at your school and everyone in your family! Post it on every blog and every forum you can think of!
HERE’S WHAT YOU GET:
In exchange for your help we’re going to make Cobra Strike a FREE DOWNLOAD for the whole day on posting day, and for a couple of days afterward. We’ll post the download link on this Facebook Event and update everyone who has RSVP’d as “Attending” with the URL. This way all of our real fans and friends can get the song for free with some bonus material and anyone who discovers Judgement Day later from the video will just have to buy the regular download from our music page http://stringmetal.com/judgementday/music .
WHAT’S THIS VIDEO ABOUT ANYWAY?
It’s CRAZY! It’s RIDICULOUS! I’m not going to tell you everything about it right away because I want you to guess. (If you already know please don’t spill the beans!) Instead, I’m going to give you hints. You should all recruit people to the Facebook Event, and for every 25 new Attendees that we get there, I will post one new picture and/or hint about the video or the new record.
US TOUR!
We just started booking a record release tour, which begins on March 11th. Booking is going pretty well so far but we could definitely use some tips about cool bands to play with and cool clubs to play at, especially on the east coast. Check out the tour routing at http://stringmetal.com/judgementday/tour and if you have any ideas, please email us at judgmentdayband@yahoo.com
SHOWS THIS MONTH:
LA and San Francisco
Sun. 1/24
Los Angeles Cinespace
Cobra Strike video release party. Free admission and free vodka until 10:30.
9:30 pm / 21+ / FREE until 10:30
Sat. 1/30 San Francisco Bottom of the Hill (Winter Music Festival)
Presented by SF Indiefest and Talking House Records with BATTLEHOOCH and the Hot Moon
9pm / All Ages / $8
This is the final chapter of the Dark Opus story; the chapter where it comes to the big screen (if you have a big computer screen). You can now “watch” the whole record uncut with videos from 5 different artists. Here it is:
Here is a video of all of the best footage I filmed on our trip. I think it is a pretty good representation of our tour:
Germany
As soon as we hit Germany, our casual European vacation turned into a full-on, epic rock tour. Dredg are heroes in Germany, and every night we played to over 1000 people. This was definitely the biggest week in Judgement Day’s life so far, and it went incredibly well. For all of the German shows we were also joined by another cool band called The Parlor Mob, from New Jersey. They fit perfectly into the bill with excellent musicianship and a sound vaguely reminiscent of classic Led Zeppelin. They seemed to be excited about our band as well. Their sound engineer Tony liked us so much that he ended up doing our sound for free, which made a huge difference for us.
The Prank
A few days before our show in Berlin, Dredg got a memo from the Berlin police department saying that they were looking for “Dradg” for questioning about some “property damage”. Everyone in the band got really paranoid, so Drew Roulette (bass player) came up with a brilliant prank:
On the night of the Berlin show, he hired 2 actors to dress up like German police, come on stage in the middle of the set and arrest Gavin and Dino (singer and drummer)! It worked perfectly: Gavin and Dino were scared shitless!
Drew wanted all of the fans to think that the arrest was real for the first few days, so after the show we posted this video, which cuts off just before the prank is revealed:
Three days later we posted the full, uncut version:
Last Three Shows
Our last big German show was in Hamburg, which is a total party town. It’s kind of like the German Las Vegas: there are tons of bars and clubs, and gambling and prostitution are legal. There are transvestites and prostitutes walking around everywhere and sometimes they try to grab you. Lewis, Drew and I walked down the main prostitute street to check out the craziness and it was interesting. The clubs in Hamburg stay open all night so we celebrated our tour properly, drinking and dancing until 5am.
Two days later we played in Christiania, an anarchist commune town in the middle of Copenhagen where drugs are legal. The club there was awesome. It looked like a viking tavern – totally metal. The crowd was small so we decided it would be a good opportunity to practice for the Dark Opus 5th Anniversary show. We played Dark Opus all of the way through and it went way better than any of us thought it would. We got an awesome review from that show; one of the best live reviews we’ve ever gotten. You can read it here but it might give away a couple of surprises for this Thursday’s show.
The last show was in London, a city that I love. We played one of our best sets of the tour and the next day we flew home.
Summing it all up…
My friend let me borrow a Flip video camera for this trip, and I did my best to film cool stuff with it. I edited all of the footage together into a music video that I think sums up our tour well. Here it is – my official Dark Opus video for Pitfires of Hell:
I have been having a hard time writing on this trip. Every time I start writing something I decide it’s not worth posting, but we are now already halfway through our first European tour so I finally forced myself to finish something.
This is what I wrote a few days ago: “Well here we are, in Rome, Italy. The sun is out and the weather is warm. We woke up early today to go explore the city and saw all kinds of amazing ancient ruins and Renaissance architecture. Yesterday we had a whole day off in Venice, riding around in boats exploring narrow alleyways and eating delicious pasta. Obviously, this has not been our typical starving-and-sleeping-on-dirty-floors DIY tour. This is as posh as it gets.”
It is true. This tour has been quite luxurious. The main reason is that we are splitting a tour bus with Dredg. Riding on a bus makes everything so much easier. We party, watch movies and sleep during the drives, and then wake up every morning exactly where we need to be. Riding with Dredg has been incredibly fun. There are eleven of us total riding on the bus and everyone hangs out and has a good time. It’s much easier to be traveling with a larger group of people because you don’t get sick of everyone. It also helps that everyone on our bus is chill and fun.
Bunks on the bus: our home for the month.
When we first got to the bus in Barcelona, there was nobody there. This is us waiting for someone to show up and let us in.
In addition to the luxury of the bus, the hospitality in Europe is absolutely amazing. Almost every day we find our dressing room stocked with gourmet cheese, meats, vegetables and sweets. Almost every night we have an amazing catered dinner with wine. They sure know how to treat musicians over here.
It hasn’t been all fun and games though. To help offset the enormous bill that we are going to get at the end of the tour we have been hustling extra hard to sell cds. We have been playing on street corners in the day and sometimes outside of the clubs when the shows get out:
We made a special European tour cd that we are only selling on this trip called Excerpts. It includes three songs off of our upcoming record Peacocks /Pink Monsters as well as all of Opus 3: Acoustic. It has been selling pretty well and it seems like people like it:
Last night for Halloween we were in Dortmund, Germany. They don’t really celebrate Halloween here like we do in the US but we had a night off and we got into a show where The Hives were playing so that was pretty cool. Most of the rest of the shows on the tour are in Germany, which is where Dredg is hugely popular, so hopefully they will be good for us. I will try my best to publish reports of all interesting occurrences.
-anton
NEWS BACK HOME:
The super-awesome music blog Kata Rokkar is doing a ticket giveaway for the Dark Opus 5th Anniversary show. They are having a fun contest. All you have to do is describe what our music sounds like (and there is a song posted there) and the best description wins two tickets to the show. Details here: http://katarokkar.cribble.net/2009/11/kata-rokkars-judgement-day-ticket-giveaway/
It is hard to believe that it has been 5 years since we released Dark Opus but come mid November it will be truth – our first foray into violin, cello and drums string metal will be half a decade old. We have a new record coming out early next year, which means we probably won’t be playing many Dark Opus songs live at our shows anymore. We don’t want to forget about our first record though, so instead or retiring it we’re going give it a proper celebration by posting music videos for every song. We will be releasing a couple of videos a week for the next month or so and they will all be available on our Youtube page and on our blog. We think this is super cool for 2 reasons:
1. Every song will now have sweet visuals by different artists.
2. You will be able to watch the entire record for free on Youtube.
On November 19th, after all of the videos have been posted, we are going to have a big Dark Opus 5th Anniversary and video release party at Annie’s Social Club in San Francisco, where we will play the whole album straight through and project all of the videos as we go. Booya!
Here are the first two videos:
INTERLUDE & INFERNO
An energetic edit of live footage filmed at Cafe Pergolesi in Santa Cruz, CA in 2005
Directed and Edited by Dave Kluger. Shot by Dave Kluger, Sam Bolleto, Andrew Keating.
REVELATIONS
A collage of found video footage, passed through digital filters.
By Luke Judd
In San Francisco, September is the warmest month of the year. It’s the one time of year where the clouds disappear for weeks at a time and the good citizens can walk around in t-shirts. For Judgement Day, this is Street Performing Season. We love to play on the street. There’s something really rewarding about a total stranger stopping to listen to our music. Nobody HAS to stop for street performers, so when they do it feels like a true compliment. That’s just the beginning of the fun though. Here are some of the other perks that make corners like Channing and Telegraph some of our favorite venues in town:
It’s a Great Place to Practice. Running tunes on the street is a great way to keep your chops in tip-top shape and can also be a good way to come up with new material. The last few times that Lewis and I went out we had jams sessions in between songs and came up with some sweet new riffs. Future Judgement Day songs?
It’s a Party!
We ALWAYS run into homies when we’re rocking out street-side – friends from other bands, friends from school, friends from the mixed martial arts dojo – and we make new friends all the time too. When we played on the street in Brooklyn, within 5 minutes we had two new members jamming in our band, a trombonist and a dumbek drummer. That was fun. Another time we were playing in Berkeley and these two hip-hop dancers came up and started busting some crazy moves to our music. They must have been professionals because we were playing “All in Vain” (which switches between 5/4 and 6/4 every few measures) and they were hitting every beat. You never know who you will meet on the street. And that’s what’s it’s all about.
You Might See Celebrities One time we were playing on Telegraph and this old guy with scraggly gray hair and dirty sweat pants came up and started watching us. I honestly thought he was a homeless guy until he tipped us 2 dollars and walked away. I thought “how did that bum have two dollars?” All of a sudden a guy that worked at the record store across the street came running over, super excited. “do you know who that was??” he whispered, “That was Neil Young!”. I wasn’t sure if I could believe that, but ten minutes later the old guy came back and dropped another dollar. This time I got a better look at him. It was Neil Young.
Scrilla Let’s be honest. We’ve got bills and rent to pay and a new record to print. We need money. Sometimes when music work is slow, playing on the street is the best way to make a few extra bucks. If you’ve got a good act and you know where to go, you might be able to make as much as 50 dollars an hour on a good day. With wages like that, who needs law school? Well, actually I tried to make my living playing on the street for a little while and I can confidently tell you that not every day is a good day. You should probably stay in school and get that degree. Still, making few extra bucks for playing music outside on a nice day is ok with me.
It Gets the Word Out
When you’ve got a big show to promote (like our Rickshaw Stop show on Oct. 2nd) there’s no better way get the word out to potential new fans. On a busy day on Haight Street you could be seen by literally hundreds of hipsters. That’s just as good as opening for Vampire Weekend. Pass out fliers, sell CD’s and before you know it you might have some real fans.
You Might Get Some Crazy Stuff.
Here are just a few of the crazy things that I have been tipped on the street:
– Cookies
– Tea
– Beer
– Marijuana
– A hundred dollars
- CDs by rappers
- London Calling by The Clash
- “The Key to the Universe” (it was made out of plastic and painted gold)
You Might End Up Starting a Band When Lewis and I started playing on the street we had no idea that it would one day become Judgement Day, but people kept coming up to us asking if we wanted to open for their band. Before we knew it we were at the Porter Soundbox in Santa Cruz, trying to think of a band name 5 mintues before opening for DESA at our first show ever.
So pick up your guitar, fiddle and juggling balls and get out there!
This Sunday, August 23rd, The Matches will take the stage at The Fillmore Auditorium for their final show. When I heard this there was a side of me, perhaps my romantic side, that really couldn’t believe it. This was the band who had truely become “more than local boys”, who would be together forever, singing epic anthems to cheering crowds around the world. My practical side understands. Years of non-stop touring in small clubs and sleeping in motel 6’s will take its toll on any artist and eventually he will want change. Still, I can’t help feeling that this is the end of an important era in Bay Area music.
Judgement Day has known the Matches since even before they were called “The Locals“. My brother Lewis went to grade school with their drummer Matt Whalen and bassist Justin San Souci and saw them play their first show together at the St. Theresa’s school talent show. After that, I would always hear stories about their band from my parents. “The Locals played at Noelle’s birthday party”, “The Locals just opened for Blink 182″, “The Locals won a contest and are touring Japan”. It was almost like my parents were trying to make me jealous. At that time, as a rock-and-roll-dreaming high school student, I wanted nothing more than to have a band that actually played real shows. The jealousy quickly turned to admiration, however, when I finally met these “Locals” and saw what they were doing.
I first met Matches singer Shawn Harris outside of The Fillmore, fatefully the same venue where our bands will share the stage for their last show. With a guitar in one hand and a stack of fliers in the other, Shawn was hard at work, promoting his next show at a new Oakland venue called “Imusicast”. He was accompanied by a pair of young girls who were wearing Locals t-shirts and carrying Locals banners on long poles. Having left the Fillmore show early, I had the chance to introduce myself to Shawn before the rest of the audience came out. The name of the show on the flier that he gave me was “L3: Live, Local and Loud”. It featured a handful of cool Bay Area bands and sounded like the perfect chance for me to finally see The Locals. Just then the Fillmore show officially ended and the doors flew open. Shawn took up his guitar and bravely turned towards the oncoming flood of music fans. I watched him break into his song “Superman” and sing for a moment until he was enveloped by the crowd and all I could see were the Locals banners flying above them.
One week later I attended my first L3. It was quite a sight. The venue was a large warehouse decorated with bright, colorful lights and video screens. The whole vibe was very futuristic. The crowd was YOUNG. At 20 years old, I felt that I might very well be the oldest person in the room, other than the parents who were working the door and merch tables. Kids were hanging out, dancing, joking and having a great time.This was the hang out spot that I had always longed for in high school and never had. Finally, The Locals took the stage, dressed in colorful, home-made clothes, and the crowd really came to life. Guitarist Jon Devoto and bassist Justin San Souci spun in circles across the stage and jumped off of walls. When Shawn shouted out the lyrics “Shake! Shake! Shake!” the entire audience chanted along shaking their fists in the air, united in a sense of high-energy, punk-rock community. From that moment on, I was hooked.
L3 was a monthly event hosted by The Locals which would always take place at Imusicast. The Locals would always play, followed in the early days by more established local headliners like The KGB and Link 80. The opening bands would almost always be high school students, often times playing their first shows ever. The formula was a surefire recipe for large crowds of wide-eyed teenagers. For many L3-goers, these shows were about more than just music. This was their social outlet, their favorite night of the month and their first exposure to creative, DIY expession. Former L3 regular Ashley Wetmore, now a professional image consultant, credits the shows as a major source of inspiration for her and her friends, many of whom went on to play their own bands, put on their own club nights and design their own clothes. “We would see the Matches wearing these amazing outfits that they had made for themselves and we all wanted to do it too,” Ashley says, “The Halloween shows were the best. We’d all be trying to outdo each other for the best costume. It was a really fun.”
Month after month the crowds at L3 would grow larger until finally the huge warehouse room couldn’t fit any more and all of the shows were sold out. For trademark reasons The Locals were forced change their name, so they ironically chose “The Matches” as their new moniker and titled their debut record E. Von Dahl Killed The Locals. Shawn Harris did the artwork himself and in the bottom corner of the booklet, spray-painted words “no fake record label here. We’re just a band putting out our own record”. When the major labels came knocking (and they came in droves) The Matches decided to keep it indie, choosing Epitaph as their home. The next 7 years would bring them huge tours, award-winning music videos, and 2 more great albums.
We have had the honor of working with the Matches on multiple recordings over the years and the privalege of their friendship throughout it all.They have always been supportive of our band and Shawn Harris, who has truely become an amazing artist, has collaborated on the painting of the cover for our upcoming 2nd record, Peacocks / Pink Monsters. Judgement Day, like countless other bay area bands, will always look up to The Matches. We will always be inspired by their DIY ethics, their high-enegy live shows, their good humor, their constant strive for creativity and everything that they have done for the Bay Area music scene. It is with great honor that we will accompany them for one last, great show.
-Anton
Anton Patzner is the violinist for Oakland “string metal” band Judgment Day. He blogs regularly on his band’s website http://stringmetal.com .
