PETE FIELDS

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AUDRYE SESSIONS

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DEVOTIONALS

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JON BUSH with BUCKET KIT 2.0

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SCOTT ALLBRIGHT

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ASHKON

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GRAHAM PATZNER

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And a couple more:

Haight Street Fair

We were so busy practicing with all of the singers for the Lyres & Lace show that we almost forgot about our show on Sunday at The Haight Street Fair. It’s a good thing that we didn’t forget because it turned out to be a huge deal: we played in front of an estimated 20,000 people, our biggest crowd ever!

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The Fort Gallery in Oakland

There’s nothing like a good Oakland warehouse show, and The Fort is one of the best warehouses in town. It was super dark in there so I was afraid we would not be able to capture any of the awesomeness on video. Luckily our good friend Dave Kluger showed up with a crazy miracle-camera and got this amazing video:

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VERY EARLY SHOW! WE ARE ON FIRST AT 7! – Tickets Here

This Friday, June 11th we are playing at the Lyres & Lace Fashion Show in San Francisco. It will be happening at the beautiful, seated, 100-year-old Swedish American Hall and it will be quite an event. Not only will we be playing acoustic versions of classic Judgement Day songs and featuring Jon Bush on his new bucket drum kit, we will also have an unbelievable assembly  of hip, top-notch, fashion-forward musical guests.

One of the best parts about playing strings is that you get to play in a ton of great bands. Well we’ve spent so much time playing in everyone else’s bands that we figure it’s about time for some of them to return the favor and sing a song in ours. And since this is a fashion show all of the guests will be walking the runway modeling the hottest new Bay Area trends.

So here it is, the list of performers for the Judgement Day and Friends Fashion Show:

Pete Fields of Trainwreck Riders and Slowmotion Cowboys

The originator of “Bernal Heights Country” music and fashion, Pete plays it cool with just the right amount of cowboy charm.

REQUIRED VIEWING: Slow Motion Cowboys on Chasing the Moon

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Tyson Vogel of Devotionals and Two Gallants

Tyson’s instrumental guitar compositions are simple, introspective and deeply personal.

REQUIRED LISTENING: Swell to the Invitation of the Sky

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Scott Allbright of Poor Bailey

Whether he’s exploring Antioch California folklore or mocking the ironies of love, Scott’s songs and stories always manage to stay witty and fresh.

REQUIRED VIEWING: Poor Bailey Neon Camo Slideshow
REQUIRED READING: “Diary of My Death”

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Ryan Karazija of Audrye Sessions

Ryan’s voice will melt your heart, if his good looks don’t break it first.

REQUIRED VIEWING: “Nothing Pure Can Stay” Live

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Laura Weinbach of Foxtails Brigade

She’s been called everything from “Neo-Victorian street urchin” to “homicidal forest nymph” but here’s what’s for sure: this girl can sing like an angel and shred some mean classical guitar.

We’ll be joining Foxtails Brigade for their entire set.

REQUIRED VIEWING: Foxtails Brigade on Chasing the Moon

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Graham Patzner

Our youngest brother Graham is definitely the best singer in the family. He may also be the best songwriter.

REQUIRED LISTENING: Wolfskin Traders (the whole record!)

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Ashkon

Ashkon is the best rapper/pop-songwriter that we know. If you haven’t seen the Hot Tubbin video yet it’s time to wise up and earn your Bay Area cred.

100% REQUIRED VIEWING: “Hot Tubbin’ on the Late Night”

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On Wednesday I went to see Thom Yorke play at The Fox Theater in Oakland with his new band Atoms For Peace. Thanks to Ting for the ticket! The band is a super-group with a very impressive lineup:

Thom Yorke - The  always-entertaining Radiohead singer on guitar and vocals.

Nigel Godrich – Radiohead’s mad scientist producer, out from behind the curtain to play guitar, keyboard and laptop.

Joey Waronker - A top LA studio drummer who has also toured with Beck and many more.

Mauro Refosco – A bad ass multi-percussionist with a a very impressive box of toys.

Flea - Yes, that Flea: The Red Hot Chili Peppers bassist, laying down funk-metal grooves for the foundation.

This was one of nine shows on the Atoms of Peace tour and quite possibly their only tour ever. As I waited, standing about twenty five feet back in the beautiful Fox Theater (the new APE venue which is very similar to The Warfield but much more grand), I thought for sure that this would be one of the top ten best shows I had ever seen.

Review:

Finally the lights went out and the band came on. Within minutes of the first song it was clear that this show would not make my top ten; not even close. For some reason I expected Atoms for Peace to be just as tight and well-oiled of a machine as Radiohead, a band of musicians who have been writing and touring together for over twenty years. That was foolish. No level of individual musicianship could ever equal the bond of twenty years of collaboration. In the end, Thom Yorke’s new band came off as exactly what they are: thrown together for a short tour.

It was still a great show. The drummers remained extremely tight and fun to dance to for the duration of the night. Maura Refosco played tons of different crazy instruments including hand drums, a berimbau and two giant shakers that looked like medieval maces. It makes sense that Thom would want a groovy rhythm section; he is a dancer. He danced for pretty much the entire set, and it was awesome.

Although he occasionally played keyboard swells and a bit of guitar, Nigel Godrich’s main job seemed to be running backing tracks off of his laptop. There were a lot of backing tracks, which at times was a bit of a bummer; too many tracks can make a set feel like karaoke. Most songs luckily had enough real musicianship to avoid this effect.

I wish I could have heard Flea better, but for most of the set the backing bass tracks were drowning him out and it was hard to tell what (or if) he was playing. Towards the end he had a few moments to shine where he came to the center of the stage and went into some funky bass lines. They were classic Flea, which was funny and somewhat out of place in the context of the rest of the band, but definitely something that everyone in the crowd was excited to see. He did it pretty well. Overall he didn’t groove as well as the rest of the rhythm section, but he did give an inspired theatrical performance (which sometimes also seemed out of place).

So did this concert make history?

Here’s what we watched:

1. Jay Z on the MTV Video Awards

Even if you are sick as shit of this song you can’t deny that’s it’s one of the catchiest anthems to hit the radio in a long time. This live performance from the 2009 MTV Videos Music Awards is bad-ass. If you want to learn how to perform, you should take some notes from Jay Z: hands in pockets,cool as ice, straight killin’ it:

Click here to view the embedded video.

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2. Radiohead on the Grammys

Radiohead never ceases to apocalyptically blow my mind. In this performance on the 2009 Grammy Awards they joined forces with the USC Trojan Marching band for a high-energy spectacle that will raise the bar of award-show performances for years to come:

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3. Radiohead: “Jigsaw Falling to Pieces” music video

After watching one Radiohead video we knew we needed more. Although the music from this video comes from a recorded track, the footage is taken from a live studio performance. Embracing the lo-resolution aesthetic of youtube, Radiohead strapped light-weight security cameras to their heads to create one of the most imaginative and insightful live performance music videos of all time:

Click here to view the embedded video.

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4. OK Go, “This Too Shall Pass”

No internet music video session would be complete without an entry from OK Go. Their home-video treadmill dance routine for “Here We Go Again” changed the way that we think about music and film on the internet, garnering over 50 million hits views with a shoestring budget. Their newest video they for “This Too Shall Pass” may have topped it by effectively creating and capturing the most elaborate chain-reaction “Rube Golberg device” ever imagined. Skeptics claim that portions of this video are computer generated but the band denies it. Regardless of  the controversy, the creativity and ambition of this video alone will carve it an important place in film history:

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5. Margot and the Nuclear So and So’s, “Quiet of a Mouse”

Seeing as how we were partying with half of the old members of this band we really wanted to see at least one of their videos. This is the one that they said was the best. It’s a beautiful narrative animation of some very original art by Stacey Novak which must have taken hundreds of hours to put together. It’s amazing to see independent artists going above and beyond to make something unique, and just as amazing to count them as friends:

Click here to view the embedded video.

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6. Judgement Day, “Cobra Strike”

It’s always kind of lame to be the guy who puts no his own video at the party, but in the friendly, supportive context of the night it seemed appropriate. Here is our attempt at an entry into the world of fun, creative internet music videos:

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If you had asked me before our tour if I would like to showcase for a room full of music industry bigwigs I would have said, “Yes! for sure!” We definitely did not do that; there were no big record execs at our out-of-the-way, underground shows. After everything that I’ve seen and experienced this week though, I really don’t feel like we missed out. Instead of showcasing for record executives, we spent the week playing real shows for real people. We played on the streets for everyone walking by, and free parties where no one was turned away for lack of an official badge. We played an amazing party on Thursday night, put together by our tour-mates BATTLEHOOCH, in the overgrown back yard of a punk house for a crowd of artists, musicians, fans and friends. We had the time of our lives dancing our hearts out while the lawyers and managers typed away on their BlackBerrys at the official SXSW show across the street.

All week we handed out fliers for our big Saturday show but when the day finally came, the weather (which had been warm and beautiful all week) suddenly became brutally severe. Temperatures dropped into the 30’s and were accompanied by strong gusts of freezing wind. This was bad news for us because the road to our venue was quite a trek from the heart of the SXSW festival. It was 1.5 miles away across a giant bridge infested by over one million bats. We thought for sure that our show would be empty, but as we set up the room began to fill and when we played the house was packed. I cannot fully express our gratitude towards those who braved the storm to see us. I only hope that the show, in my opinion one of our best ever, was a just reward.

In the end, did our dreams come true? I’d say the jury is still out. I dream of the day when a band can find its audience without going through the lawyers and record executives. I definitely doubt that we will come away from this year’s SXSW with the ability to sell out The Fillmore, but I do know this:

We played on the streets of Austin all day long for three days straight and during that time there were not 5 minutes that went by without someone filming us. We may have been filmed over a thousand times. So far only one group has posted their video: NPR’s All Songs Considered. What will happen when everyone else posts?

-Anton

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www.breakofreality.com
www.zoekeating.com
something else with the Beethoven:

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pick your size:

1280 x 800 | 1440 x 900 | 1680 x 1050 | 1920 x 1200

When we first arrived at around 2 pm there were already quite a few festival-goers out. We set up on a street corner in front of the Coyote Ugly bar and started playing. Our new battery-powered amplifier and bucket drum kit make for a pretty sweet guerrilla metal setup: within one minute we were surrounded by a large crowd of green-clothed music fans (it was also St. Patricks day today,) and by the second song there were multiple giant video cameras pointed at us. I have no idea what any of these camera people were filming for but they all seemed to be into it. All the while Brandon (our new drum tech / metal expert) was passing out fliers for our Saturday show, selling cd’s and generally hyping us up to every single person who stopped to listen. The response was great and for the rest of the day people kept coming up to me telling me that they liked it.

One thing that we found out which was slightly disappointing is that our big Saturday show is kind of far away from the rest of the festival. It turns out that South Congress is not the same as Congress. If you go to 515 Congress, which is right in the middle of the festival, you will be at a bank. That’s not where we are playing. We’re playing at 515 South Congress, which is about a mile away on the other side of the bridge. The place is really cool, but it is definitely a little bit of a hike. There were quite a few people today who were excited to come see the show, so I hope the distance doesn’t deter them. I guess distance is a good reason to do an “official” SXSW show. All of those ones are really easy to walk to. On the plus side, the bridge that you cross to get to our show also happens to be home to over 1.5 million bats and you’ll see them all flying out to hunt as you cross back over to the festival after our set. I have seen it before and it’s quite a site.
Some other good stuff happened today: we now have two more shows. They are both house parties and they are both tomorrow night:

9pm – 92 Rainey st w/BATTLEHOCH

2am – 3603 s 2nd st  w/?

So… tomorrow’s going to be another big day. I better get some rest. Bed time!

-anton

Here is basically my first tour blog entry, which talks about our trip up through Tucson: http://blogs.mercurynews.com/aei/2010/03/15/sxsw-judgement-day-315/

Here’s a cool little interview that Grant from Battlehooch and I both did talking about each other’s bands: http://www.examiner.com/examiner/x-20839-Exploring-San-Francisco-Examiner~y2010m3d16-Judgement-Day-and-or-Battlehooch

Here are a bunch of sweet videos from our San Diego show: http://www.sddialedin.com/2010/03/thank-you.html

Here’s my favorite from those videos:

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Well, basically the problem is that our band is not called “EMPTY.”

Admission of guilt:
When we were shooting these photos Riki straight-up asked “are you sure you want that EMPTY sign right in the middle of the picture?” and I said “yeah, it will be fine. It will be cool.” I was definitely wrong.

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We weren’t sure what to do about this at first but then we had this idea to make an art project out of it!

Here’s how it works:

1. Download the Easy-To-Print 8.5″ x 11″ jpeg HERE

2. Print it out in color on 8.5″ x 11″ paper, preferably thick paper or card stock. (I printed mine at Office Depot and it cost less than a dollar).

3. Draw, Paint or Collage on it however you want!

4. Mail it to this address:

Paint the Empty
150A Laguna St.
San Francisco, CA 94102

5. Please include a note with your name and email so we can thank you!

Prizes

1. If you get your piece to us by March 4th, it will be displayed at the Art of Peacocks / Pink Monsters art show at The Space Gallery in San Francisco on Friday, March 5th:

2. We’ll scan and post all of our favorite pieces here on the blog.

3. We’ll make one of these paintings into our new press photo and then there’s a chance that your art will be printed in newspaper or magazines. If you want us to use your piece for this, you need to cover up the “EMPTY” and leave all of the band members visible.

That’s it! I’m excited to see what you come up with!

-anton

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GALLERY

Submissions so far: